Showing posts with label Rollenhagen. Show all posts
Showing posts with label Rollenhagen. Show all posts

Thursday, July 26, 2012

Inter Utrumque Volat


488     -     489     -     490


Here is an emblem and distich by Gabriel Rollenhagen, Book 2.96, with an English rendering by George Wither.

Inter Utrumque Volat
Inter utrumque volat dubiis victoria pennis:
Hic modo victor ait; mox ait alter erit.

None knowes, untill the Fight be past
Who shall bee Victor, at the last.


The vocabulary is keyed to the DCC Latin Vocabulary list. There are two words in this poem that are not on the DCC list:

penna (pennae, f.): feather, wing
volō, volāre: fly

aiō: say, affirm, say yes; ut aiunt: as they say
alter altera alterum: other of two
dubius -a -um: doubtful, sine dubiō, without a doubt, certainly
hic haec hoc: this; hōc: on this account
inter: between, among; during (+ acc.)
modo: just, just now
mox: soon
sum, esse, fuī: be, exist
uter- utra- utrumque: each of two
victor -ōris m.: conqueror
victōria -ae f.: victory

Quo Fata Trahunt


497     -     498     -     499


Here is an emblem and distich by Gabriel Rollenhagen, Book 2.63, with an English rendering by George Wither.

Quo Fata Trahunt
Quid facias? Quo fata trahunt retrahuntque, sequendum est:
Illa etiam invitos vis rapit; ergo sequor.

When thou art shipwrackt in Estate
Submit with patience, unto Fate.


The vocabulary is keyed to the DCC Latin Vocabulary list. There are two words in this poem that are not on the DCC list:

invītus, -a, -um: unwilling, reluctant
rētraho, rētrahere: pull back, bring back

ergo: therefore
etiam: also, even
faciō facere fēcī factum: do, make
fātum -ī n.: fate
ille illa illud: that
que (enclitic) - and
qui quae quod: who, which, what / quis quid: who? what? which?
rapiō rapere rapuī raptum: seize, tear away
sequor sequī secūtus sum: follow
trahō trahere trāxī trāctum: drag, draw
vīs f.: force; (acc.) vim, (abl.) vī; (pl.) vīrēs, strength

In Manu Domini Omnes Sunt Fines Terrae

Here is today's emblem and distich by Gabriel Rollenhagen, Book 2.52, with an English rendering by George Wither.

In Manu Domini Omnes Sunt Fines Terrae
In Domini stat cardo manu, quo vertitur orbis,
Et digitis fines continet ipse suis.

The Earth is God's, and in his Hands
Are all the Corners of the Lands.


The vocabulary is keyed to the DCC Latin Vocabulary list. There are two words in this poem that are not on the DCC list:

cardo (cardinis, m.): hinge, axis, pole
digitus (digiti, m.): finger

contineō -tinēre -tinuī -tentum: contain, restrain
dominus -ī m.; domina -ae f.: household master, lord; mistress
et: and
fīnis -is m.: end, boundary
in: in, on (+ abl.); into, onto (+ acc)
ipse ipsa ipsum: him- her- itself
manus -ūs m.: hand; band of men
omnis -e: all, every, as a whole
orbis -is m.: circle; orbis terrārum: world
qui quae quod: who, which, what / quis quid: who? what? which?
stō stāre stetī statum: stand
sum, esse, fuī: be, exist
suus -a -um: his own, her own, its own
terra -ae f.: land
vertō vertere vertī versum: turn

Hodie Mihi, Cras Tibi

Here is today's emblem and distich by Gabriel Rollenhagen, Book 2.50, with an English rendering by George Wither. The original title as you can see in the emblem illustration itself is Hodie Mihi, Cras Tibi, "Today For Me, Tomorrow For You."

Fert hodierna mihi lux; fors tibi crastina fatum:
Unus post alium, tandem discedimus omnes.

This Day, my Houre-glasse, forth is runne
Thy Torch, to Morrow, may bee done.


The vocabulary is keyed to the DCC Latin Vocabulary list. There are two words in this poem that are not on the DCC list:

crastinus, -a, -um: of tomorrow, future
hodiernus, -a, -um: of today, today's

alius -a -um: other, another; alias: at another time
discēdō -ere -cessī -cessum: go away, depart
ego meī mihi mē: I, me
fātum -ī n.: fate
ferō ferre tulī lātum: bear, carry
fors fortis f.: chance; adv. fortē: by chance
hodiē: today
lūx lūcis f.: light of day
omnis -e: all, every, as a whole
post: after (adv. and prep. +acc.)
tandem: finally
tū tuī tibi tē: you (sing.)
ūnus -a -um: one

Saturday, July 21, 2012

Manus Manum Lavat

Here is today's emblem and distich by Gabriel Rollenhagen, Book 2.28, with an English rendering by George Wither.

Manus Manum Lavat
Sic bene conveniunt, caro cum coniuge coniunx,
Cum manus una manum proluit alterius.

Where Lovers fitly matched be
In mutuall-duties, they agree.


The vocabulary is keyed to the DCC Latin Vocabulary list. There are only two words in this poem that are not on the DCC list:

lavō, lavare: wash, bathe
prōluō, prōluere: wash, wash up

alter altera alterum: other of two
bene: well
cārus -a -um: dear
coniunx coniugis m./f.: spouse, husband, wife
conveniō -venīre -vēnī -ventum: assemble, meet; agree
cum: with (prep. + abl.); when, since, although (conjunction + subj.)
manus -ūs m.: hand; band of men
sīc: in this manner, thus; sīc . . . ut: in the same way as
ūnus -a -um: one

Monday, June 18, 2012

Latin Without Latin: De Parvis

This is my forty-eighth "Latin without Latin" essay. For background and a link to other essays, see this page: About the English Essays. I've been working hard on the distich project for about a month now and have accumulated such a big stack of materials to work with, thanks to being able to work on the project every single day, bit by bit. I chose a poem for today that fits with the theme of gathering things, bit by bit, into a great harvest! This one of the emblematic poems of Rollenhagen; as usual, he has taken a famous proverb (it was even a Google Toolbar Easter Egg a few years ago) to use as the title: De Parvis Grandis Acérvus Erit. You will see the title incorporated into the second line of the poem:

Adde parum parvo, parvo superádde pusíllum,
Tandem de parvis grandis acérvus erit.

Here is how the poem works:

Adde. This is from the Latin verb addere, meaning to add. The form is imperative, giving a command: adde, add!

parum. This Latin word means a very little bit, not much at all. So, that gives us an object for the verb: adde parum, add a tiny bit.

parvo. This is from the Latin adjective parvus, meaning small, tiny, little. The form here is neuter, meaning a small thing, something small, and the case is dative: to something small, to a small thing. That fits in nicely with our verb: adde parum parvo, add a tiny bit to some small thing.

parvo. Here we have parvo again, this time as the first word in our next statement.

superádde. This is from the verb superaddere, to add on top of (the prefix super- means on top of, as in the English words supernatural, superimpose, etc.). The form is again imperative: superadde, add on top!

pusíllum. This is from the Latin adjective pusíllus, meaning small, trifling, tiny (compare the English word pusillanimous). The case is accusative, giving us the object of our verb: parvo superádde pusíllum, to something tiny, parvo, add something small on top, superádde pusíllum.

So, that gives us a first line that tells us what to do: adde, and then superadde - add, and then keep adding on top of that, one little thing after another (parum, parvum, pusíllum). The second line tells us what the result will be:

Tandem. This Latin word means finally, at last. (And yes, this Latin word is the origin of the English use of tandem to mean a two-seated bicycle.)

de parvis. Here we have the Latin preposition de, meaning from, along with the plural form of parvum. The result is a prepositional phrase: de parvis, from small things.

grandis. This Latin adjective means big, great, grand. It is in the nominative case, agreeing with the subject of the statement - but we need to keep on reading to find both our subject and our verb.

acérvus erit. The Latin noun acérvus means a heap, a pile; the form is nominative, giving us the subject of the statement. The verb erit is the future tense form of the verb esse, to be (compare the English word essentia). So, acérvus erit, there will be a heap. More specifically: de parvis, from little things, grandis acérvus erit, there will be a great heap!

So, that is the whole poem: gather up the fruits of your labors bit by bit, and you will have a great harvest! Lots of little things add up to something big:

Adde parum parvo, parvo superádde pusíllum,
Tandem de parvis grandis acérvus erit.


There is a famous edition of Rollenhagen's emblems in English by the 17th-century English poet, George Wither. Here is how he renders this distich in English:

Of Little-Gaines, let Care be had;
For, of small Eares, great Mowes are made.

For more of Rollenhagen's poems in Latin, you can visit the Rollenhagen stream in my Latin distichs blog, and here is a link to the blog post for this specific poem. Meanwhile, As I add new English essays, you will be able to find those in the English stream at the blog. The next essay is about a less happy harvest: Fructus Veritus.

Friday, June 15, 2012

Latin Without Latin: Manus Manum Lavat

This is my forty-fifth "Latin without Latin" essay. For background and a link to other essays, see this page: About the English Essays. I thought a poem about a happily married couple would be a good choice for today! So here is one of the emblems of Rollenhagen:


The emblem has a famous Latin proverb as its title, Manus Manum Lavat.

Manus. This is the Latin word for hand (compare the English word manual).

Manum. This is the word manus in the accusative form, manum, giving us the object of our verb. Now we just need a verb!

Lavat. This is from the Latin verb lavare, meaning to wash (compare the English word lavatory, i.e. the washroom). The form is third-person singular, with manus as the subject: manus lavat, the hand washes. Add the object: manus manum lavat, the hand washes the hand. Or, as we would say in English: one hand washes another.

Here is the poem:

Sic bene convéniunt caro cum cóniuge coniunx,
Cum manus una manum próluit altérius.

And here is how it works:

Sic. This Latin word means thus, in this way (you sometimes see the Latin word sic used in English to indicate something that has been quoted exactly thus as in the original, misspellings included).

bene. This Latin adverb means well, good (and you can see it in many English compounds such as benefactor, benediction, etc.). So, we have an adverb - now we just need a verb.

convéniunt. This is from the Latin verb conveníre, which is a compound: con-, together, and -veníre, to come (as in the English words convention, convenient, etc.). The form is third-person plural: convéniunt, they come together, they match, they fit. We also have an adverb: bene convéniunt, they come together well, they fit nicely. But we still need a subject for the verb!  

caro cum cóniuge. Here we have the Latin preposition cum, which means with, together with (the con- in conveníre is a variant spelling of cum, in fact). As often, the noun phrase that goes with the preposition is wrapped around it: carocóniuge. The noun cóniuge is from Latin coniunx, meaning spouse, partner (compare the English adjective conjugal), and the adjective caro is from Latin carus, meaning dear, precious (this is the origin of the English word caress and also cherish). Put it all together and you have a prepositional phrase: caro cum cóniuge, with a dear spouse. But we are still waiting on a subject for our verb. 

coniunx. And here is our subject: coniunx, the same word we just saw in the prepositional phrase. So it all fits together now: coniunx, spouse, caro cum cóniuge, with beloved spouse, thus fit nicely, sic bene convéniunt. … but just how or when do they fit so nicely? We need the second line of the poem to find out.

Cum. The Latin word cum, in addition to being a preposition that means with, is also a conjunction that means when. In the first line, you saw cum-with, and now in the second line we have cum-when.

manus una. Here we have the Latin word manus again, hand, along with the adjective unus, meaning one (compare the English words unity, unanimous, etc.). The word manus is a feminine noun, hence the feminine form, una, of the adjective: manus una, one hand. The case is nominative, so we know this is the subject of the verb.

manum. This is the accusative form of manus, giving us the object of the verb. Now we just need the verb.

próluit. This is from the Latin verb proluere, meaning to wet, moisten, wash off (you can see the lu- root in English words like dilution, ablution). The form is third-person singular: próluit, (he/she/it) washes. So, that gives us a complete statement: cum manus una, when one hand, manum próluit, washes the hand.

altérius. This is from the Latin word alter, meaning the other, another (compare the English word alteration). The form is genitive singular: altérius, belonging to another, the other's. So that fits perfectly with the two hands, which are now marked out as the hand of one person and the hand of another person: cum manus una, when one hand, manum próluit altérius, washes the other's hand. (For Latin students, you may have memorized the form alterīus, with a long -i- in the ending, but the form altérĭus is one you will also find in Latin poetry, as here.)

So, put it all together and you have a little poem in praise of married life: the two dear spouses (caro cum cóniuge coniunx) can make a perfect fit (sic bene convéniunt) when they take care of one another as one hand that washes the other (cum manus una manum próluit altérius) - just as you can see in Rollenhagen's illustration for the poem, with Cupid presiding!

Sic bene convéniunt caro cum cóniuge coniunx,
Cum manus una manum próluit altérius.

There is a famous edition of Rollenhagen's emblems in English by the 17th-century English poet, George Wither; here are his English lines of verse as inspired by this emblem:

A paire, so match'd; like Hands that wash each other,
As mutuall-helpes, will sweetly live together.

For more of Rollenhagen's poems in Latin, you can visit the Rollenhagen stream in my Latin distichs blog, and as I add new English essays, you will be able to find those in the English stream at the blog likewise. The next essay is about a quite different couple, Pasiphae and the bull: Pasiphae.

Tuesday, June 12, 2012

Ut Ne Quid Dedeceat

Here is an emblem and distich by Gabriel Rollenhagen, Book 2:91, with an English rendering by George Wither.

Ut Ne Quid Dedeceat
Ne quid dedeceat, facto caveamus in omni,
Apta rei caput est, tempora nosse, suae.

In all thine Actions, have a care
That no unseemlinesse appeare.


The vocabulary is keyed to the DCC Latin Vocabulary list. There is only one word in this poem that is not on the DCC list:

dēdecet - it is unbecoming, unseemly

aliquis -quae -quod: some, any; si quis, si quid: anyone who, anything that
aptus -a -um: fit, suitable
caput capitis n.: head
caveō cavēre cāvī cautum: be on guard, beware
faciō facere fēcī factum: do, make
in: in, on (+ abl.); into, onto (+ acc)
nē: lest, that not
nōscō nōscere nōvī nōtum: learn, know
omnis -e: all, every, as a whole
reus -ī m.: defendant
sum, esse, fuī: be, exist
suus -a -um: his own, her own, its own
tempus -oris n.: time
ut, uti: as (+ indic.); so that, with the result that (+ subj.)

Ditat Servata Fides


235     -     236     -     237


Ditat Servata Fides
Ut praestes videas, si quid promittis amico,
Nam servata fides ditat et auget opes.


The safest Riches, hee shall gaine
Who alwayes Faithfull doth remaine.

Source: Gabriel Rollenhagen (1583-1619), Emblemata, 32. The English version is by George Wither. Meter: Elegiac. Note the use of the subjunctive, videas, as something like a command.


The vocabulary is keyed to the DCC Latin Vocabulary list. There is only one word in this poem that is not on the DCC list:

dīto, dītāre: make rich, enrich

If you ever promise something (si quid promittis) to a friend (amico), see to it (videas) that you deliver (ut praestes), for when you keep faith (nam servata fides), it enriches and augments (ditat et auget) your resources (opes).

aliquis -quae -quod: some, any; si quis, si quid: anyone who, anything that
amīcus -a -um: friendly; (as subst.) friend
augeō augēre auxī auctum: increase
et: and
fidēs -eī f.: trust, faith
nam or namque: for, indeed, really
ops opis f.: assistance, resources
praestō -stāre -stitī -stitum: excel, exhibit
prōmittō -mittere -mīsī -missum: send forth, offer
servō -āre: save, watch over
sī: if
ut, uti: as (+ indic.); so that, with the result that (+ subj.)
videō vidēre vīdī vīsum: see


Memento Mori

Here is an emblem and distich by Gabriel Rollenhagen, Book 2:34, with an English rendering by George Wither.

Memento Mori
Res est plena boni sanctae meditatio mortis;
Dum sinit haec igitur vita, memento mori.

Whil'st thou dost, here, injoy thy breath
Continue mindfull of thy Death.


The vocabulary is keyed to the DCC Latin Vocabulary list. There is only one word in this poem that is not on the DCC list:

meditātio, meditātiōnis f. - contemplation, meditation

bonus -a -um: good
dum: while (+ indic.); until (+ subj.); provided that (+ subj.)
hic haec hoc: this; hōc: on this account
igitur: therefore
meminī meminisse: remember, recollect
morior morī mortuus sum: die
mors mortis f.: death
plēnus -a -um: full
rēs reī f.: thing (rēs pūblica, commonwealth; rēs familiāris, family property, estate; rēs mīlitāris, art of war; rēs novae, revolution)
sānctus -a -um: sacred, inviolable
sinō sinere sīvī situm: allow, let go
sum, esse, fuī: be, exist
vīta -ae f.: life

Ferio

Here is an emblem and distich by Gabriel Rollenhagen, Book 2:69, with an English rendering by George Wither.

Ferio
Et pueros ferio et teneras, mea regna, puellas:
Saevus amor dicor; me metuunt superi.

Be wary, whosoe're thou be
For, from Loves arrowes, none are free.


The vocabulary is keyed to the DCC Latin Vocabulary list. There is only one word in this poem that is not on the DCC list:

ferio, -īre - hit, strike, wound, kill

amor -ōris m.: love
dīcō dīcere dīxī dictum: say; causam dicere, plead a case; diem dicere, appoint a day
ego meī mihi mē: I, me
et: and
metuō metuere metuī: to fear, to dread
meus -a -um: my
puella -ae f.: girl; girl-friend
puer puerī m.: boy; slave
rēgnum -ī n.: kingship, kingdom
saevus -a -um: fierce, raging, wrathful
superus -a -um: situated above, upper; superī -ōrum m. pl.: those above, i.e. the gods
tener -era -erum: tender

Furor Fit Laesa Saepius Patientia


276     -     277     -     278


Furor Fit Laesa Saepius Patientia
Saepe furor fit laesa nimis patientia: noli
Qui te non laedunt laedere saepe bonos.

Who, Patience tempts, beyond her strength
Will make it Fury, at the length.

Source:  Gabriel Rollenhagen (1583-1619), Emblemata, 94, with an English rendering by George Wither. Meter: Elegiac.





The vocabulary is keyed to the DCC Latin Vocabulary list. There is only one word in this poem that is not on the DCC list:

Patience, when overly injured, (laesa nimis patientia) often becomes rage (saepe furor fit): do not often injure (noli laedere saepe) those good people (bonos) who do not injure you (qui te non laedunt).

patientia (patientiae, f.): endurance, patience

bonus -a -um: good
fīō fierī factus sum: become
furor -ōris m.: rage, fury
laedō laedere laesī laesum: injure by striking, hurt
nimius -a -um: too much, excessive; nimis or nimium: excessively
nōlō nōlle nōluī: be unwilling
nōn: not
qui quae quod: who, which, what / quis quid: who? what? which?
saepe: often
tū tuī tibi tē: you (sing.)

Redibo Plenior

Here is today's emblem and distich by Gabriel Rollenhagen, Book 1:48, with an English rendering by George Wither.

Redibo Plenior
Luna redit semper, sed lumine plenior aucto,
Praeda rex, victo, plenior, hoste, redit.

The Moone, which is decreasing now
When shee returnes, will fuller, grow.


The vocabulary is keyed to the DCC Latin Vocabulary list. All the words in this poem are on that list:

augeō augēre auxī auctum: increase
hostis -is m./f.: stranger, enemy
lūmen luminis n.: light
lūna -ae f.: moon
plēnus -a -um: full
praeda -ae f.: booty, prey
redeō -īre -iī -itum: go back, return
rēx rēgis m.: king
sed: but
semper: always, ever
vincō vincere vīcī victum: conquer

Monday, June 11, 2012

Latin Without Latin: Si Sciens Fallo

This is my forty-first "Latin without Latin" essay. For background and a link to other essays, see this page: About the English Essays. I thought I would follow up on yesterday's poem about Jupiter and the lightning with another poem about Jupiter and the blast of his thunderbolt. This time, Jupiter is invoked as a divine avenger, providing the celestial guarantee that enforces a human oath. The poem is by Rollenhagen, and you can see in the illustration a sow, alluding to the sacrifice of a pig at the making of the oath; meanwhile, the hand of God is offering a silex stone, which was the ritual object that the priests used to strike the pig:


For details about the Romans sacrificing a pig in the temple of Jupiter Feretrius, see this Wikipedia article. Livy, in his history of Rome, provides the text of the Roman priests' prayer (section 1.24, Latin / English), and here is Rollenhagen's little poem as inspired by that prayer:

"Si te fallo sciens, fériat me Iúpiter ultor,"
Dicébat pangens foédera Roma vetus.

This is how the poem works:

Si. This little Latin word means if.

te. This is a form of the second-person singular pronoun, tu, meaning you. The form te could be ablative or accusative; we will have to keep on reading to see which it is.

fallo. This is from the Latin verb fallere, meaning to deceive, to cheat (from the participle, falsus, we get the English word false). The form is first-person singular: fallo, I deceive. We can use te as the object, giving us a hypothetical statement: si te fallo, if I deceive you.

sciens. This is from the Latin verb scire, meaning to know (compare the English words science and omniscient). The form is an active participle: sciens, knowing. It is in the nominative case, so it modifies the subject of the verb, much like an adverb in English: si te fallo sciens, if I knowing(ly) fool you.

fériat. This is from the verb ferire, meaning to strike, to smite. The form is third-person singular in the subjunctive mood, expressing potential: fériat, may he strike, let him strike. We will have to keep reading to find out just who or what is the subject of this verb.

me. This is from the Latin first-person singular pronoun ego, meaning I. The form is accusative: me, meaning me (yes, it is cognate with the English word me!). So, we have an object for our verb: fériat me, let him strike me!

Iúpiter. This is the name of the god Jupiter (Zeus), in the nominative case, giving us the subject of the verb: fériat me Iúpiter, let Jupiter strike me!

ultor. This Latin noun means avenger. It is in the nominative case, giving us one of Jupiter's ritual titles: Iúpiter ultor, Jupiter the avenger!

So, that gives us the first line of the poem; as I make a pledge to you, I invoke Jupiter as a third party, an avenger who will punish me, fériat me Iúpiter ultor, if I am lying to you, si te fallo sciens. The next line of the poem puts this into a Roman context:

Dicébat. This is from the Latin verb dicere, meaning to speak, to say (compare the English words diction, dictum, etc.). The form is third-person singular, past tense: dicébat, said. We don't know yet who the subject is.

pangens. This is from the Latin verb pangere, which means to determine, settle, establish (from the participle, pactus, we get the English word pact). The form is a participle in the nominative case, so it modifies the subject of the verb: whoever is speaking is also settling something.

foédera. This is from the Latin noun foedus, meaning a treaty, a covenant, an agreement. The form is plural: foédera, treaties. That gives us an object for our participle: pangens foédera, establishing treaties. We are still waiting on our subject!

Roma vetus. The Latin name of Rome is Roma, and vetus is an adjective that means old (compare the English word veteran). So, this noun phrase gives us the subject of our verb: Roma vetus, old Rome, used to speak these words, dicébat, when swearing treaties, pangens foédera.

Notice that the poem itself does not invoke the sacrifice of the pig, but the illustration reminds us that the death of the pig was a symbolic invocation of the power of Jupiter to strike down the people who might break their word - think of it as something like the English promise "Cross my heart and hope to die," but with an animal sacrifice, instead of just symbolically crossing your heart.

"Si te fallo sciens, fériat me Iúpiter ultor,"
Dicébat pangens foédera Roma vetus.

Although Rollenhagen is not all that well known, his emblem books inspired a highly popular English imitation by George Wither (1588-1667), who accompanied each of the emblems with a long poem in English. Here is an excerpt from Wither's English poem as inspired by Rollenhagen's Latin  emblem:

When th'Ancients made a solemne League or Vow,
Their Custome was to ratifie it, thus;
Before their Idoll God, they slew a Sow,
And sayd aloud; So be it unto us.
Implying, that, if otherwise they did
Then had been vow'd; or, if within their Brest
A Fraudulent-Intention had beene hid,
They merited such Vsage, as that Beast.

For more of Wither's poem, see the online edition at Penn State, and for more of Rollenhagen's emblems, you can visit the Rollenhagen stream in my Latin distichs blog. Here is a link to the blog post for this specific poem. Meanwhile, as I add new English essays, you will be able to find those in the English stream at the blog. The next essay is about a famous incident from Roman history: Terror et Error.

Sunday, May 27, 2012

Latin Without Latin: Spes Alit Agricolas

This is my twenty-sixth "Latin without Latin" essay. For background and a link to other essays, see this page: About the English Essays. Yesterday's poem invoked an allegorical goddess, Suada, who was Persuasion personified. Today's poem is about another allegorical goddess: Spes, who is Hope personified. This is another one of the Latin emblems of Gabriel Rollenhagen (1583-1619). You can read more about Rollenghagen and his influential work in this blog post.

Here is the poem:

Spes alit agrícolas, messis Dea certa futúrae;
illa iubet fidae crédere semen humo.

Spes. This is the Latin word for hope. It is in the nominative form, so we know it will be the subject of the sentence. (From the corresponding verb in Latin, sperare, meaning to hope, we get the English word desperation, which refers to losing hope, de-speration.)

alit. This is from the Latin verb alere, meaning to feed, nourish, support (as in the English word alimony). The form is third-person singular, with Spes as the subject: Spes alit, Hope nourishes… but what does she nourish? We need to read on for the object.

agrícolas. This is from the Latin word agricola, meaning farmer (the man who cultivates the ager, the field; compare the English word agriculture). The form is accusative plural, which gives us the object of our verb: Spes alit agrícolas, Hope feeds the farmers. These first three words of the poem - Spes alit agrícolas - are a Latin proverb in their own right (you can find the sentiment already in the classical Roman poet Tibullus).

messis. This is from the Latin word for harvest, messis, in the genitive form: of the harvest. We will have to read on to figure out how the genitive fits into the sentence overall.

Dea certa. Here we have the Latin word for goddess, Dea, along with an adjective, certa, meaning sure, certain. So, Spes, Hope, is a sure goddess, a goddess of whom you can be certain. (Of course, not all poets regard Hope as such a sure thing, but she is surely less fickle than the goddess Fortuna, of course, whose wheel spins up and down with no certainty at all.) We can combine this phrase, Dea certa, with the preceding word, messis, to get a noun phrase: messis Dea certa, the sure Goddess of the harvest.

futúrae. This is from the Latin verb esse, meaning to be; the form is a future participle (compare the English word future). The form is genitive singular, so it is giving us more information about the harvest: it is messis futúrae, the future harvest, the harvest that is yet to be. Notice how this genitive phrase, messis futúrae, wraps elegantly around the nominative phrase, Dea certa; Hope is the sure Goddess of the harvest-to-come.

So, that gives us our first line, describing the goddess Spes, Hope, and her importance for farmers. The second line will push us to think about the harvest in more metaphorical terms:

illa. This is from the Latin pronominal adjective ille, meaning that one or, more simply, he. The form is feminine singular, illa, meaning she - Hope - as the noun Spes is a feminine noun in Latin.

iubet. This is from the Latin verb iubere meaning to command, to order. The form is third-person singular: illa iubet, she commands, she orders. We need some kind of infinitive to let us know just what she is ordering us to do!

fidae. This is from the Latin adjective fidus, meaning faithful, trusthworthy (you can see the same root in the English use of the word affidavit). The form here could be dative or genitive; we are going to have to keep reading to find out how this word fits in overall.

crédere. Here is the infinitive we were looking for! The Latin verb crédere means to believe, to trust (compare the English words creed and credit). So, Hope orders us to have faith, to put our trust in something: illa iubet crédere. Even better, the verb crédere can take both an accusative complement - you entrust something - as well as a dative complement - you entrust something TO someone. We have a dative adjective, fidae, as a complement to the infinitive, but we still need a noun to go with that, and we also still need an accusative object for the infinitive, too!

semen. This is the Latin word for seed (and of course it also gives us the English word semen) and it gives us the accusative object we need for our infinitive crédere: Hope commands us, illa iubet, to entrust the seed, crédere semen, to the faithful something, fidae… but what is that faithful feminine something? We need the last word of the poem to complete the idea.

humo. This is from the Latin word humus, meaning earth, ground, soil (compare the English words inhume and exhume). The form humo is dative and - don't let the final -o fool you - the noun is feminine in gender, so it goes with fidae. Notice how the resulting dative noun phrase, fidae humo, to the faithful soil, elegantly wraps around the verbal phrase, crédere semen, entrust the seed. This wonderful style of word order is basically impossible to render in English, alas.

So, that gives us the complete poem: Spes alit agrícolas, Hope feeds the farmers, as she is the sure Goddess of the future harvest, messis Dea certa futúrae; and she commands us, illa iubet, to entrust our seed to the faithful soil, fidae crédere semen humo. You can take that literally as you plant your garden… or you can take that metaphorically as you sow the seed now for any harvest you hope to reap in future time.

Spes alit agrícolas, messis Dea certa futúrae;
illa iubet fidae crédere semen humo.

In Rollenhagen's emblem, you can see Spes with a plow and she also holds an anchor, which is a traditional symbol of hope. The anchor, in fact, is what allows you to recognize immediately that this is Spes (Hope) rather than, say, the goddess Ceres, the actual goddess of agriculture; Spes carries an anchor, but Ceres does not. In the sky, you can see the light of the sun shining down on the field - and metaphorically, that light is a symbol of divine favor, as shown by the Hebrew letters inscribed on the sun, YHWH, also known as the tetragrammaton, which is one of the names of God.

There is a famous edition of Rollenhagen's emblems in English by the 17th-century English poet, George Wither. Here is how he renders this distich in English:

The Husbandman, doth sowthe Seeds
And, then, on Hope, till Harvest, feeds.

For more of Rollenhagen's poems in Latin, you can visit the Rollenhagen stream in my Latin distichs blog. Here is a link to the blog post for this specific poem. As I add new English essays, you will be able to find those in the English stream at the blog. The next poem, far more cynical and pessimistic, is by the Roman poet Martial: Semper Pauper Es.

Wednesday, May 23, 2012

Latin Without Latin: Omnia Mea Mecum Porto

This is my twenty-second "Latin without Latin" essay. For background and a link to other essays, see this page: About the English Essays. Like yesterday's essay, this essay is about one of the Latin emblems of Gabriel Rollenhagen (1583-1619). You can read more about Rollenghagen and his influential work in this blog post. I chose this particular emblem because today, May 23, is World Turtle Day - and, as you can see, this is a distich poem about a turtle!


As often with emblems, the title of the emblem is a Latin proverb: Ómnia Mea Mecum Porto. You can read about the history of this nice proverb her at Laudator Temporis Acti.

Here's how the proverb is put together:

Ómnia Mea. Here we have the Latin adjective omnis, meaning all or every (compare the English words omnipotent and omnibus), and the adjective meus, meaning my, mine. The form is neuter plural, so put them together and you've got ómnia mea, all my things, everything that is mine.

Mecum. The phrase mecum is actually made up of two words: cum and me. The preposition cum means with (as in the Latin phrase magna cum laude, with great praise) and me is the ablative form of the pronoun ego, meaning I. Put them together and you have mecum, with me. Now we just need a verb!

Porto. This is from the Latin verb portare meaning carry (as in the English words porter and transportation). The form is first-person singular, porto,  carry.

So, now we can put the title of the poem together: Ómnia Mea, all my things, Mecum Porto, I carry with me. You can see why this proverb would be a good one to choose for an emblem about a turtle! Now let's see what the poem itself tells us:

Porto domúmque meam mecum meáque ómnia; multis
Régibus hoc ipso dítior et pótior.

Porto. The poem starts with the same verb we saw in the title: porto, I carry.

domúmque meam. Here we have the Latin noun domus, meaning house or home (compare the English words domestic and domicile), with the adjective we saw earlier, meus, meaning my or mine. The phrase domum meam is in the accusative, making it the object of the verb: porto domum meam, I carry my house. (There's also a little que particle here, too; I'll say something about that in a minute.)

mecum. This is the phrase we saw already in the title, equivalent to cum me, with me. So now we have a complete statement: porto domum meam mecum, I carry my house with me.

meáque ómnia. Here we have the same words we saw already in the title, mea ómnia, all my things. Notice also that there is a que particle here also, just as in domúmque meam. The little que cannot stand by itself; instead, it is a particle that gets attached to the end of a word. A single que means and, but when you have que...que... in a pair, it means something like both...and... in English. Porto domúmque meam mecum, I carry with me BOTH my house, meáque ómnia, AND all my things.

So, that is the first statement; now let's see what the next statement says.

multis régibus. Here we have the Latin adjective multus, meaning much or many (compare the English words multiple, multitude, etc.) and the noun rex, meaning king (compare the English word regal). The number is plural, multis régibus, many kings - but the case could be either dative or ablative, so we'll need to keep reading.

hoc ipso. Here we have the Latin pronoun hic, meaning this - and the form is neuter singular, hoc, meaning this thing (you might know the Latin phrase post hoc ergo propter hoc; after this thing, therefore on account of this thing). The pronoun is intensified by ipse, meaning this very thing, exactly this thing we have been talking about - being able to carry your home and all your belongings with you. This phrase hoc ipso is definitely in the ablative case: by means of this thing, exactly because of this fact - but we still need some more clues to figure out how it all fits together.

dítior. This is from the Latin adjective dis, meaning rich or wealthy; it is in the comparative form, dítior, meaning richer or more wealthy. This comparative adjective fits perfectly with the two previous phrases, since the ablative can be used to express a comparison: precisely because of this thing, hoc ipso, I am richer, dítior, richer than many kings, multis régibus.

et pótior. The Latin word et means and, while pótior is another comparative adjective, meaning more important, more powerful (compare the English word potent). So, that is the concluding statement of the poem: because of this fact, hoc ipso, I am richer and more powerful, dítior et pótior, than many kings, multis régibus.

So, take a look at the whole poem again, this time observing the turtle in the emblem (see above), as she carries her house on her back:

Porto domúmque meam mecum meáque ómnia; multis
Régibus hoc ipso dítior et pótior.

There is a famous edition of Rollenhagen's emblems in English by the 17th-century English poet, George Wither. Here is how he renders this distich in English:

I beare, about mee, all my store
And, yet, a King enjoyes not more.

For more of Rollenhagen's poems in Latin, you can visit the Rollenhagen stream in my Latin distichs blog. Here is a link to the blog post for this specific poem. As I add new English essays, you will be able to find those in the English stream at the blog. The next essay is about a poem by John Owen: Deus et Homo.

Tuesday, May 22, 2012

Latin Without Latin: Finis Ab Origine Pendet

This is my twenty-first "Latin without Latin" essay. For background and a link to other essays, see this page: About the English Essays. This essay is about one of the Latin emblems of Gabriel Rollenhagen (1583-1619). You can read more about Rollenghagen and his influential work in this blog post. I chose this particular emblem because it seemed a good follow-up to the paradox of birth and death in the phoenix emblem from Camerarius that I wrote about yesterday.

As often with emblems, the title of the emblem is a Latin proverb, in this case a proverb first recorded in the Astronomicon of the poet Manilius: Finis Ab Orígine Pendet. Let's look at the motto first, and then the poem.

Finis. This is the Latin word for the end, the limit (compare the English word finish).

Ab Orígine. The Latin preposition ab means from, away from (you can see this as a prefix in the English word abduction). The word orígine is the ablative form, as required by the preposition, of the noun órigo, meaning origin, beginning. Put them together and you have a prepositional phrase: ab orígine, from the beginning.

Pendet. This is from the Latin verb pendére, to hang down, depend (compare the English word pendulum). It is third-person singular in form, which is what we need for finis as the subject: Finis Ab Orígine Pendet, the end hangs down from the start, the finish depends on the beginning.

In general terms, this Latin proverb usually refers to the notion that if you get off to a good start, you can expect success in the end, but if you get off to a bad start, things are not likely to end well. In this poem, however, Rollenhagen is going to apply the idea to something more paradoxical, the endless cycle of birth, death and re-birth (this was also the theme in Manilius' poem as well).

Nascéntes. This is from the Latin verb nasci, to be born (compare the English words nascent and renaissance). It is a participle in the plural: nascéntes, being born. Now we just need a verb!

mórimur. This is from the Latin verb mori, to die (compare the English word mortal). It is first-person plural, we are dying. So, put that together with the participle and you get a paradox: in the moment of being born, nascéntes, we are dying, mórimur.

finísque ab orígine pendet. The little -que after the word finis means and, so it links this statement (which we already saw in the title) to the preceding statement: Nascéntes mórimur, As we are born, we are dying, and finísque ab orígine pendet, the end depends upon the beginning - in other words, the moment of death already begins at the moment of birth.

Now, let's see what the second line adds to this first line. The entire first line, in fact, comes from the poem of Manilius which I mentioned above; the second line is Rollenhagen's own.

De vita. Here we have the Latin preposition de, meaning from, down from (you can see this as a prefix in English words like depart, deviate, etc.), with the Latin noun vita, meaning life (compare the English word vital). So, the phrase reads: De vita, from life.

ad mortem. Here we have the Latin preposition ad, meaning to, towards (you can see this as a prefix in English words like admission, adopt, etc.), with the Latin noun mors, death, in the accusative form required by the preposition: ad mortem, to death, unto death.

mors. Here we have the Latin noun mors again, this time in the nominative form, meaning that it must be the subject of the verb - but we are still waiting to see what the verb is.

redivíva. This is from the Latin adjective redivívus, meaning that which lives again, something that has revived, come back to life. The form is feminine singular, agreeing with the feminine noun, mors, death. So, the result is a paradoxical noun phrase: mors redivíva, death that has come back to life. Now, we just need the final word of the poem to give us the verb we have been waiting for.

trahit. This is from the Latin verb trahere, to drag or to pull (compare the English word tractor). The form is third-person singular, which is what we want for mors, death, as the subject: Death reborn, mors redivíva, drags us, trahit, from life all the way unto death, de vita ad mortem.

So, put it all together and review the paradoxical poem once again, this time looking at the emblem illustration; you can see birth personified as a baby, resting his hand on death symbolized by a human skull. Wrapping around the two of them, in a paradox of beginning and ending, is the famous ouroboros, the circular serpent that eats its own tail. You can read more about the ouroboros in this Wikipedia article.

Finis Ab Orígine Pendet
Nascéntes mórimur; finísque ab orígine pendet;
De vita ad mortem mors redivíva trahit.


There is a famous edition of Rollenhagen's emblems in English by the 17th-century English poet, George Wither. Here is how he renders this distich in English:

As soone, as wee to bee, begunne;
We did beginne, to be Vndone.

For more of Rollenhagen's poems in Latin, you can visit the Rollenhagen stream in my Latin distichs blog. Here is a link to the blog post for this specific poem. As I add new English essays, you will be able to find those in the English stream at the blog. The next essay is about another Rollenhagen emblem, this time involving a turtle: Omnia Mea Mecum Porto.

Friday, May 18, 2012

Nulla Dies Sine Linea

Here is today's emblem and distich by Gabriel Rollenhagen, Book 2.24, with an English rendering by George Wither. I always consider nulla dies sine linea to be the blogger's motto! :-)

Nulla Dies Sine Linea
Nulla dies abeat, quin linea ducta sit, usus
Solus erit, magnos qui facit artifices.


Each Day a Line, small tasks appeares
Yet, much it makes in threescore Yeares.


The vocabulary is keyed to the DCC Latin Vocabulary list. There are two words which are not on the DCC list:

artifex, artificis m. - artist, master, maker
līnea f. - line

abeo -īre -iī -itum: go away
diēs diēī m./f.: day
dūco dūcere dūxī ductum: lead; uxōrem ducere, marry
facio facere fēcī factum: do, make
māgnus -a -um great
nūllus -a -um: not any, no one
qui, quae, quod: who, which, what; quis quid: who? what? which?
quīn: (adv.) indeed, in fact; (conjunction) so that . . . not (+ subj.)
sine: without (+ abl.)
sōlus -a -um: only, alone; sōlum (adv.), only, merely
sum, esse, fuī: be, exist
ūsus -ūs m.: use, experience

Thursday, May 3, 2012

In Se Sua Per Vestigia Volvitur

Here is today's emblem and distich by Gabriel Rollenhagen, Book 2.23, with an English rendering by George Wither. You can see the ouroboros swallowing itself and you can see the word for "anniversary," the cycle of a year, written in Greek: ΕΝΙΑΥΤΟΣ.

In Se Sua Per Vestigia Volvitur
Sic in se, sua per vestigia, volvitur annus,
Motibus aeternis tempora continuans.


Through many spaces, Time doth run
And, endeth, where it first begun.



The vocabulary is keyed to the DCC Latin Vocabulary list. There are only three words in this poem that are not on the DCC list:

continuō, -āre - connect, unite, join, make continuous
mōtus, mōtūs m. - moving, motion, movement
volvō, -ere, volvī, volūtum - roll, turn around, revolve

aeternus -a -um: everlasting, eternal
annus -ī m.: year
in: in, on (+ abl.); into, onto (+ acc)
per: through (+acc.)
sīc: in this manner, thus; sīc . . . ut: in the same way as
sui, sibi, sē: him- her- itself
suus -a -um: his own, her own, its own
tempus -oris n.: time
vēstīgium -ī n.: footstep, footprint, track 

Wednesday, May 2, 2012

Non Est Mortale Quod Opto

Here is today's emblem and distich by Gabriel Rollenhagen, Book 2.22, with an English rendering by George Wither. The emblem shows Ganymede, with his name written in Greek below.

Non Est Mortale Quod Opto
Munde immunde vale: non est mortale quod opto,
Sidera sublimi vertice summa petam.


Take wing, my Soule, and mount up higher
For, Earth, fulfills not my Desire.



The vocabulary is keyed to the DCC Latin Vocabulary list. There are only three words in this poem that are not on the DCC list:

immundus -a -um - impure, dirt, foul
sublīmis -e: raised up, elevated
vertex, verticis m. - whirlpool, whirlwind, top, peak 

mortālis -e: liable to death, mortal
mundus -ī m.: world, universe, heavens
nōn: not
optō -āre: choose, select
petō petere petīvī petītum: seek, aim at
qui quae quod: who, which, what / quis quid: who? what? which?
sīdus -eris n.: star, constellation
sum, esse, fuī: be, exist
summus -a -um: highest, farthest, last
valeō valēre valuī: be strong, excel, be valid, prevail; valē: farewell!